[youtube=http://www.youtube.com/watch?v=WvCjZ6gThyY&w=500&h=307&rel=0]

The video for the Dominican merengue singer, Rita Indiana‘s “El Juidero,” the title track of her October 2010 release. The video for the song (a narrative about escaping to Puerto Rico), “… plays like a short film, a 1970s crime movie fantasy with heavy doses of “El Malo”-era Fania style, real-life Dominican political intrigue,” wrote New York City journalist Carolina Gonzalez (in “The Daily News” last December). It features a cameo by veteran merengue musician Johnny Ventura and was directed by Indiana’s frequent collaborator and girlfriend, Puerto Rican filmmaker Noelia Quintero.

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Reading List: Barbara Boswell

While editing a collection of the writings of South African feminist Lauretta Ngcobo, Barbara Boswell found inspiration in texts that reflected Ngcobo’s sense that writing is an exercise of freedom.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

An annual awakening

In the 1980s, the South African arts collective Vakalisa Art Associates reclaimed time as a tool of social control through their subversive calendars.

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.