[youtube=http://www.youtube.com/watch?v=GAwOqtiVVCI&w=500&h=307&rel=0]

Corrected: A rare film clip (there must be more where this came from), posted on Youtube in September 2010, of the Don Cherry Trio live in Paris in 1971. Cherry, an American, is on piano and cornet and is accompanied by South African bassist Johnny Dyani and Turkish percussionist/drummer, Okay Temiz.  All three called Sweden home at that time. Cherry is singing in Xhosa; probably one of Dyani’s compositions. Cherry later appeared on Dyani’s 1978 album, “Song for Biko.” Separetely Dyani and Temiz formed the group Xaba with another South African Mongezi Feza. Dyani died before playing a show in Germany in 1986. Chimurenga Magazine‘s most recent issue has an interview by Aryan Kaganof with Dyani.

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Reading List: Barbara Boswell

While editing a collection of the writings of South African feminist Lauretta Ngcobo, Barbara Boswell found inspiration in texts that reflected Ngcobo’s sense that writing is an exercise of freedom.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

An annual awakening

In the 1980s, the South African arts collective Vakalisa Art Associates reclaimed time as a tool of social control through their subversive calendars.

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.