The writer Edouard Glissant has died. Glissant, a native of Martinique, citizen of France, was known for his work on African identity in the Caribbean and on French colonialism. He was also a poet. He died yesterday, aged 83, in Paris. The video, above, is an extract of a film, “Making History,” with Glissant and Linton Kwesi Johnson, discussing Caribbean identity politics. It is also a good place to get a start on his ideas. You can watch the film in its entirety here.

More recently, following the 2005 riots by mostly black and immigrant youths in working class Paris “suburbs,” Glissant and fellow Martinican author Patrick Chamoiseau wrote a letter to then-French Minister of the Interior, Nicolas Sarkozy. (At the time Sarkozy used racist language to denounce local “thugs” and vowed to “cleanse” the projects of troublemakers.) Glissant and Chamoiseau’s letter, which was reproduced in media worldwide,

… described the riots as direct consequences of slavery and European colonialism. It also criticized a new law requiring schools to teach the ‘positive role of the French presence overseas, particularly in North Africa.’ Glissant and Chamoiseau wrote: ‘Memory faces off with the world’s truths, and the act of living together is now located within the balancing acts of the world’s truths …’

R.I.P.

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Reading List: Barbara Boswell

While editing a collection of the writings of South African feminist Lauretta Ngcobo, Barbara Boswell found inspiration in texts that reflected Ngcobo’s sense that writing is an exercise of freedom.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

An annual awakening

In the 1980s, the South African arts collective Vakalisa Art Associates reclaimed time as a tool of social control through their subversive calendars.

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.