If you’re passing through Brussels the next months and you haven’t seen Belgian painter Luc Tuymans’s series Mwana Kitoko: Beautiful White Man yet, go visit his retrospective (Friday 02.18 > Sunday 05.08) at BOZAR. The original 2000 exhibition’s title ‘Mwana Kitoko’ refers to “the rather derogatory nickname Mwana Kitoko, i.e. beautiful boy, which was given to Belgian’s young King Baudouin by the Congolese, and which was promptly changed by the Congolese authorities to the more respectful and authoritative Bwana Kitoko, i.e. beautiful, noble man.”

[Source]

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Reading List: Barbara Boswell

While editing a collection of the writings of South African feminist Lauretta Ngcobo, Barbara Boswell found inspiration in texts that reflected Ngcobo’s sense that writing is an exercise of freedom.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

An annual awakening

In the 1980s, the South African arts collective Vakalisa Art Associates reclaimed time as a tool of social control through their subversive calendars.

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.