AfricaIs aCountry

Own Goal

Africa Is a Country Podcast
African Five-a-Side Podcast

Own Goal

By
Sean Jacobs

By Peter Alegi

In a few hours WikiLeaks will release thousands of secret FIFA documents detailing World Cup match fixing and widespread corruption within football’s governing body.

Never before have such confidential documents been released into the public domain. The documents will give people around the world an unprecedented insight into FIFA’s activities on the shores of Lake Zurich.

The documents, which date from 1998 to 2010, contain 15,652 confidential communications between FIFA executive committee members in Zurich and corporate sponsors, media networks, and other football officials throughout the world.

But seriously, on Thursday, December 2, FIFA’s ethically challenged executive committee will award the hosting rights for the 2018 and 2022 World Cup. The stench emanating from the bidding “process” has been overpowering to the point that we — the citizens of FootballWorld — would benefit greatly from the assistance of Julian Assange and the people behind WikiLeaks.

As the work of Andrew Jennings showed, revelations of overt facts can damage the image, if not the profits, of FIFA and its corporate allies. Such information would give a vital boost to good governance in the game and instill hope for a healthy football community.

* From Football is Coming Home.

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Reading List: Barbara Boswell

While editing a collection of the writings of South African feminist Lauretta Ngcobo, Barbara Boswell found inspiration in texts that reflected Ngcobo’s sense that writing is an exercise of freedom.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

An annual awakening

In the 1980s, the South African arts collective Vakalisa Art Associates reclaimed time as a tool of social control through their subversive calendars.

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.