What is either a gollywog or coon ornament in a Christmas display of an East 17th Street between 5th and Union Square West, Manhattan store, was spotted by my neighbor, Chinnaya Nwosu, last week. According to Chinnaya there were a variety of these kinds of items in the store, including what looked like Sambos with grass skirts, spears and headdress, etc. “The store owner palmed me off with, ‘They are just crafts made in Thailand.’ I tried reasoning that this kind of imagery was not conceived in Thailand, and that the ignorance of the [people in Thailand] making them cannot justify them being on shop shelves in New York City. The guy said that nobody else had complained- eying me as a trouble making reactionary.”

* This is hopefully the start of a regular series of posts of snapshots– we’ll call it T.I.A. This is Africa–that remind us from Africa or pretend to be of Africa that we encounter everyday.

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Reading List: Barbara Boswell

While editing a collection of the writings of South African feminist Lauretta Ngcobo, Barbara Boswell found inspiration in texts that reflected Ngcobo’s sense that writing is an exercise of freedom.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

An annual awakening

In the 1980s, the South African arts collective Vakalisa Art Associates reclaimed time as a tool of social control through their subversive calendars.

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.