[youtube=http://www.youtube.com/watch?v=VDg6pBMlsI4&w=500&h=307&rel=0]

It’s no secret that I am a big fan of the Noisettes and their singer and bassist, Shingai Shoniwa. She’s like a 21st century Eartha Kitt. So I was surprised to read a tweet by Brooklyn rapper Talib Kweli that Shoniwa’s agent had rejected an opportunity for her to collaborate with him. (The official word to Kweli was that since the “… agent don’t know me so won’t put me in touch wow ok.” Ouch.) Anyway, this is an excuse to post another Noisettes video. This time a live version of “Atticus.”

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Reading List: Barbara Boswell

While editing a collection of the writings of South African feminist Lauretta Ngcobo, Barbara Boswell found inspiration in texts that reflected Ngcobo’s sense that writing is an exercise of freedom.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

An annual awakening

In the 1980s, the South African arts collective Vakalisa Art Associates reclaimed time as a tool of social control through their subversive calendars.

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.