Krusty the Clown's Activism

[youtube=http://www.youtube.com/watch?v=f3OoeAeZM5Q&w=500&h=307&rel=0]

The opening episode of the new series of “The Simpsons” features a convoluted plotline where the character Krusty the Clown ends up in the Hague tried for war crimes. This is a clip from the episode.  As the South African blogger Chris Roper summarizes it (in an equally convoluted blog post):

“[At The Hague] … Bart and Homer need to find some saving grace in Krusty’s past, and this turns out to be Krusty’s refusal to play Sun City in 1990. [Remember in the 1980s, to protest Apartheid, a number of US artists refused to play Sun City, the gambling resort built in the Bophuthatswana bantustan where whites could “mix” with blacks and pretend they’re in Las Vegas.] Three days after his refusal, Nelson Mandela is freed from prison. This congruence of events leads to Krusty being pardoned, and released. …Krusty’s refusal to play Sun City [it turns out, is] not a political statement, but a protest about the kind of potato chips in his dressing room.  Krusty makes his heroic statement (“I ain’t going to play Sun City”), and then turns to his band and says, “Vuvuzela me out of here”. The band swops their instruments for vuvuzelas, and the discordant sound of the World Cup serenades Krusty from the stage.”

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Reading List: Barbara Boswell

While editing a collection of the writings of South African feminist Lauretta Ngcobo, Barbara Boswell found inspiration in texts that reflected Ngcobo’s sense that writing is an exercise of freedom.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

An annual awakening

In the 1980s, the South African arts collective Vakalisa Art Associates reclaimed time as a tool of social control through their subversive calendars.

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.