Simphiwe Dana is probably the most talented female singer of her generation from South Africa. (Thandiswa Mazwai would come a close second; whatever that means.) Dana is still young, she’s only 32, so we can only imagine what she will still achieve. In 2008 the British music writer, David Honigmann of the Financial Times, described her as “… tall, assured and fully in control.” If you have not heard her music yet, sample “Ndiredi or “Zandisile” for starters.  She has made a lot more music, including a new album, but the links above will suffice.  The point of this post, however, is a series of new videos on the website of the German TV channel ZDF recorded with Dana in early 2010.

It includes a long, 19-minute raw piece of video footage of a conversation between a German producer and Dana (watch here) on Xhosa music and culture. Dana indulges the reporter’s questions and talks beautifully about her first language, Xhosa, a language that grew from the “mixture of two cultures …  Xhosa and San … and where they collide[d] comes something beautiful.” In the interview Dana also talks about self love (she’s big on it), why South Africa is so violent, how the rainbow nation is a “farce,” and racial inequality, among others.

A second video contains a jam session with fellow singer Thandiswa at a restaurant in Johannesburg. The performance is worth your time.

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Reading List: Barbara Boswell

While editing a collection of the writings of South African feminist Lauretta Ngcobo, Barbara Boswell found inspiration in texts that reflected Ngcobo’s sense that writing is an exercise of freedom.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

An annual awakening

In the 1980s, the South African arts collective Vakalisa Art Associates reclaimed time as a tool of social control through their subversive calendars.

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.