David Adjaye's Urban Africa

For a while now I’ve been wanting to post some of the images by celebrated architect David Adjaye‘s to “… photograph and document key cities in Africa as part of an ongoing project to study new patterns of urbanism.”  It is also part of Adjaye’s “… personal quest … to address the scant knowledge of the built environment of the African continent.” The pictures were displayed at London’s Design Museum till earlier this month as a series of large projections against a backdrop of African beats composed by Adjaye’s brother for the exhibit. David Adjaye visited 46 cities and took 36,000 pictures. Only 3,000 pictures were displayed in the gallery. Some of it gives the impression of holiday snapshots, while others have more to them, like the one above taken in downtown Abidjan, Cote d’Ivoire, a city once referred to as the “Paris of West Africa.”  Here‘s a link to a mainstream review. Anybody went to see it? Would love to hear your reactions of seeing the photographs in the exhibition. The pics here are only a small sample.

(BTW, Adjaye has been commissioned to design the new Smithsonian National Museum of African History and Culture planned on the Mall in Washington D.C.).

Asmara, Eritrea

Cairo, Egypt

Gaborone, Botswana

Dakar, Senegal

Nouakchott, Mauritania

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Reading List: Barbara Boswell

While editing a collection of the writings of South African feminist Lauretta Ngcobo, Barbara Boswell found inspiration in texts that reflected Ngcobo’s sense that writing is an exercise of freedom.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

An annual awakening

In the 1980s, the South African arts collective Vakalisa Art Associates reclaimed time as a tool of social control through their subversive calendars.

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.