[slideshow]

Our man in Brussels, Tom de Vriendt, sent on information on some Africa-themed exhibitions on this summer (till the end of August) in that city. It’s all part of “The Summer of Photography,” which the organizers describe as “… a program that includes some 30 exhibitions, colloquia, workshops, and other photographic events all over Belgium.” First up is “A Useful Dream: African Photography 1960-2010,” curated by Simon Njami (the author of “Anthologie de la photographie africaine”); then there’s a retrospective–consisting of 200 photographs–of the work of the American-born South African photographer Roger Ballen; and finally, there’s the project “Africa Town” by the artist Vincen Beeckman. In a series of photographs, residents of Brussels went about photographing “… how they see Africa in Brussels.”

I am particularly taken by the “Africa Town” exhibition, which includes photos by residents of Brussels and pictures taken by Beeckman in a mobile studio, mostly in Matonge, the mostly African neighborhood in the city.

You can view some of the “Africa Town” online here. I have also embedded some of the mobile studio images above. It’s fascinating to see how people wanted to see themselves represented, what they chose to wear, how they pose, etc.

You can also read about the “Summer of Photography” on the BOZAR blog. And there’s this video interview with Njami, Ballen and Beeckman (in French and English):

[youtube=http://www.youtube.com/watch?v=mQaz4L3pt2c&w=500&h=307&rel=0]

Sean Jacobs

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Reading List: Barbara Boswell

While editing a collection of the writings of South African feminist Lauretta Ngcobo, Barbara Boswell found inspiration in texts that reflected Ngcobo’s sense that writing is an exercise of freedom.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

An annual awakening

In the 1980s, the South African arts collective Vakalisa Art Associates reclaimed time as a tool of social control through their subversive calendars.

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.