AfricaIs aCountry

Not Julius Malema's Youth League

Africa Is a Country Podcast
African Five-a-Side Podcast

Not Julius Malema's Youth League

By
Sean Jacobs

[slideshow]
I’ve blogged before (at my old blog address) about the Johannesburg fashion movement, The Smarteez. (More exclusive than the mass outlet Amakipkip.)

Now Dazed Magazine have discovered them. For its June special “South Africa” issue (Africans still get “special issue” status everywhere), the magazine’s editors sent a writer and photographer to profile the designers.

The piece is not online, but a slideshow and a video. On the Dazed blog, writer Rod Stanley has a quote from one of the designers explaining how he feels his generation differs from their older cousins and neighbors: ‘… Too young to really remember the struggle for apartheid, they’re less politicised and claim that their “struggle” is now one against blandness and conformity – to them, it’s all about partying, self-expression and challenging stereotypes.’  I don’t think they care for Julius Malema.

Photographer Chris Saunders, who has been documenting the Smarteez for a while now, took the pictures.

There’s also a short film about the Smarteez on the Dazed website.

— Sean Jacobs

Via Style Bubble. [h/t Nerina Penzhorn]

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Reading List: Barbara Boswell

While editing a collection of the writings of South African feminist Lauretta Ngcobo, Barbara Boswell found inspiration in texts that reflected Ngcobo’s sense that writing is an exercise of freedom.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

An annual awakening

In the 1980s, the South African arts collective Vakalisa Art Associates reclaimed time as a tool of social control through their subversive calendars.

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.