Brenda Fassie’s “Black President” is still the standard-bearer for Mandela tribute songs. Fassie did this one while Mandela was still in prison in the late 1980s. She also claimed they were related. But that’s another story.

There’s a few others that come close.

Santana (featuring Wayne Shorter), “Mandela” (live version). Check the poster of Mandela in front of the keyboard. Based on Mandela’s profile before he went to prison, they were ubiqituous throughout the 1980s when Mandela truly emerged as a global figure:

http://www.youtube.com/watch?v=yeBBl9I_6SY

Vusi Mahlasela, “When You Come Back Home,” which Mahlasela released two years after Mandela was released:

http://www.youtube.com/watch?v=at1YtOYmZJw

Johnny Clegg’s “Asimbonanga”: This was a standard for Clegg during 1980s with his band Savuka. In this live version performed in 1999, Mandela joins Clegg on stage and then gives a speech and ask the crowd to join him.

Not everyone will agree whether this is Clegg’s best performance of the song. This version may sound better.

Then there’s Special AKA’s “Free Nelson Mandela” from the early 1980s. Some good British ska.  [If you can’t see it, click here.]

Finally, Hugh Masekela brings showbiz to the struggle with “Bring Back Nelson Mandela.” He’ll give anything some swing.

http://www.youtube.com/watch?v=XKCk8o5xzaM

 

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.