AfricaIs aCountry

Blood on the chair

Africa Is a Country Podcast
African Five-a-Side Podcast

Blood on the chair

By
Sean Jacobs

Platon, the New Yorker staff photographer got many of the world's leaders to sit for portraits. A number of African leaders obliged.

Platon described Rwanda's longtime President, Paul Kagame, as "my favorite picture."

In September this year over five days, Platon, the New Yorker staff photographer got many of the world’s leaders to sit for him while they were here for a meeting of the United Nations. You can check out all the portraits on the New Yorker’s website. Each photograph come with audio commentary by Platon. Here are some of the African leaders.

About Robert Mugabe, the longtime leader of Zimbabwe, Platon says: “… His skin was so stretched. It wasn’t oily, but it looks oily, shiny … made of wax of glass or something … ” As Mugabe walked away, another leader (who remains nameless) refused to sit in the same chair. When asked what’s wrong with the chair, the leader responded: “There’s blood on it.”

Then there’s Jacob Zuma, President of South Africa, who Platon describes as “warm” “look[ing] wicked” and “definitely laughing at me”

Rupiah Banda of Zambia, whose face is “carved in stone”:

And, Raila Odinga, Prime Minister of Kenya, who appeared distracted:

View the rest here.

Further Reading

No one should be surprised we exist

The documentary film, ‘Rolé—Histórias dos Rolezinhos’ by Afro-Brazilian filmmaker Vladimir Seixas uses sharp commentary to expose social, political, and cultural inequalities within Brazilian society.

Reading List: Barbara Boswell

While editing a collection of the writings of South African feminist Lauretta Ngcobo, Barbara Boswell found inspiration in texts that reflected Ngcobo’s sense that writing is an exercise of freedom.

Kenya’s stalemate

A fundamental contest between two orders is taking place in Kenya. Will its progressives seize the moment to catalyze a vision for social, economic, and political change?

An annual awakening

In the 1980s, the South African arts collective Vakalisa Art Associates reclaimed time as a tool of social control through their subversive calendars.

More than a building

The film ‘No Place But Here’ uses VR or 360 media to immerse a viewer inside a housing occupation in Cape Town. In the process, it wants to challenge gentrification and the capitalist logic of home ownership.